The 1976 Judgement of Paris — respected wine competition, or excuse for rich folks to get drunk?
Subtle cinematography, deft performances and a catchy soundtrack work in sublime harmony, creating a soulful ode to the ancient art of winemaking in Bottle Shock. The film is based on the 1976 Judgment of Paris wine competition that awarded an unassuming Napa Valley Chardonnay the coveted prize, rocketing New World wines to international respectability. Taking its name from the muddying impact of jostling wine around in airplane cargo holds, writer-director Randall Miller's profile of a proud moment in U.S. wine history is poignant, funny and charming.
Comparisons to Sideways are easy, since both films feature wine-savvy characters, but the similarities end there. Bottle Shock borders on a religious experience, with each character worshipping the almighty grape in their own way. Alan Rickman is aptly snobbish as Steven Spurrier, an aloof yet passionate wine connoisseur aiming to rejuvenate his ailing Parisian boutique. Frustrated with the esoteric vintners in France, he flies to Napa Valley in search of wines that will incite fresh discussion in his shop and beyond. His unabashedly snotty reaction to the palatable vintages being quietly created by the plaid-clad community of savvy craftspeople is subtly portrayed, but his lofty British attitude is soon shaken by the realization that these Yankee bumpkins have created bottled gems worthy of acclaim.
Bill Pullman is brilliant as Jim Barrett, the perfectionist owner of Chateau Montelana, pursuing his dream of creating the ultimate Chardonnay. His disdain for the snobbery of the Europeans is palpable. Bo Barret (Chris Pine) brings a sexy slacker vibe to the film as the Montelana heir with a fine but rebellious mind, who spends more time womanizing and surfing than helping his father.
Freddy Rodriguez as Gustavo conveys the humble Latino wine savant with smoldering sincerity. His ability to identify (in one taste) grape varieties, origins and vintages is remarkable. He puts his gift to questionable use at the local bar, raking in cash from patrons who bet on his exceptional talents.
Director of photography Michael J. Ozier creates scene after scene of visual reverence. From glistening grapes on the vine to dusty country roads, each scene is rich with natural beauty. Even the Chateau entrance, draped in ivy and regal on its own, is strewn with junky cars and trucks, creating a brilliant juxtaposition of the new and old worlds.
Bottle Shock is an exceptional film. With its elegant script and compelling characters, it captures the excitement of the rapturous pursuit that is creating a bottled masterpiece.
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